Friday, July 10, 2009

Fresh Lobster With a Side of Barbarian

Looking for a symbolic creature to take on as persona, one that will strike fear into the evil and corrupt? A bat or spider, perhaps? A shadow? How about a lobster? I went on and on about the pulps, comicdom’s gritty, hero-packed progenitors, a few months ago (here to be exact). I mentioned, among other things, Lobster Johnson, a character who originally appeared in the pages of Hellboy and, though he never actually existed in the time of the pulps (the 1920s-early 1940s), captures the spirit of that era and brand of adventure with more panache than anything since the originals.

The homage is expanded with Lobster Johnson: the Satan Factory (by Sniegoski), a paperback adventure in prose made to read like a yarn lifted right out of an ancient, dog-eared original. In the interest of full disclosure, I must tell you that I have not read the whole book yet (it hits the bookstore shelves July 22nd). However, there is a generous 30 page preview at the Dark Horse website, and I have read that and I was so excited I couldn't hold back. We see Dr. Jonas Chapel's fall into the world of crime and the supernatural, and a chapter with a James Bond-style pre-credits sequence as the Lobster engages in combat with a distinctly unpleasant gorilla (this guy fights gorillas quite a bit, actually). So the stage is set for a clash between the mysterious crime fighter and the doctor gone wrong. I've read a lot of pulps in my day and, with its dark and moody settings and fast-paced action, rings with authenticity like the echoing roar of a .45.

Speaking of pulp characters, you couldn’t find a more quintessential example of the breed than Conan the Barbarian. From Robert E. Howard’s original, massively atmospheric adventures to Frank Frazetta’s latter day visuals drenched in menace and masculinity, sword and sorcery owes the character as a great a debt a
s it does the hobbits and Elves of J.R.R. Tolkien.

The adventures were never better re-interpreted than in Marvel’s original 1970’s Conan series which, of late, have been collected by Dark Horse in their the Chronicles of Conan series. Take Volume 7 (by Thomas and Buscema) for example. It’s packed with double-crossing sorcerers, wicked sword fights, voluptuous, fiery female companions (perhaps the very archetype of these: Red Sonja) and most importantly, the grim-eyed, iron-thewed, barbarian anti-hero with the indomitable will. Best moment in a collection of nine issues filled with good moments: a toss up between Conan’s underwater battle with an ancient, tentacled monstrosity right out of Lovecraft (Howard’s good pen pal, as it happened) and Conan’s escape after being tied down nearly naked to be gnawed on by an army of rats. Whatever your taste in barbarian action, this is the ideal book to top off your foray into the frenzied, sinister world of pulp.

Thursday, July 9, 2009

Surviving the Most Hostile Place on Earth


When I was in library school, I read a bunch of books for my juvenile and young adult literature classes. The one that impressed me the most was Shipwreck at the Bottom of the World: The Extraordinary True Story of Shackleton and the Endurance, by Jennifer Armstrong. Starting in 1915, Sir Ernest Henry Shackleton and his crew were stranded south of the Antarctic Circle for more than a year. They had no ship and no way to contact the outside world. All 28 men survived.

Jennifer Armstrong does a wonderful job, describing Antarctica, a continent that supports glaciers up to two miles in depth. There are winds close to 200 miles per hour and the temperature can sink to 100 degrees below zero Fahrenheit.

And she tells how the crew, including a stowaway, suffered, but persevered.

After their ship Endurance was crushed by the ice, "Shackleton announced his plan to the crew: they would march across the frozen sea with two of the three lifeboats to Paulet Island, 346 miles to the northwest. To the best of Shackleton's knowledge, there was a cache of stores in a hut on Paulet Island from a 1902 Swedish expedition. What they would do once they reached this destination was not specified: it was enough to have a goal... They would have to walk the whole way, hauling their gear and the two boats. The men knew they were doomed without the boats; eventually they would reach open water. They would need the boats, no matter how burdensome they were to drag over the ice...

"... there was much to get ready... While McNeish and McLeod began fitting the lifeboats onto sledges, the rest of the crew began sorting their equipment. The men were given a two-pound limit on personal gear, which allowed them to keep only the items that were essential for survival -- although the Boss did allow them to keep their diaries and their tobacco, and the doctors were allowed their medical supplies. In a dramatic gesture, Shackleton took his gold cigarette case and a handful of gold coins from his pocket and dropped them on the snow. Gold was useless for the task ahead...

"...the men hauling the Caird and the Docker (two large lifeboats) were sinking up to their knees in slush, and their boots were filling with seven pounds of freezing water with each step... in three days they covered only seven miles..."

The book is illustrated with pictures taken by the crew photographer. And Armstrong tells a little about what happened to the crew after they got back to England.

This is the most incredible adventure story imaginable. If you like it, you might also enjoy Marooned: The Strange but True Adventures of Alexander Selkirk, the Real Robinson Crusoe; and Revenge of the Whale: The True Story of the Whaleship Essex.

I'll post reviews, but I have to read them first!

Wednesday, July 8, 2009

Wednesday Comics



I realize that it’s unusual to post about a single issue of a comic book series, but when the series stands as clearly apart as this one does, I think it merits the attention. DC Comics has a love affair with experimental formats and with bridging the past with the present. Some of their experiments have worked wondrously (most notably the Morrison/Rucka/Waid/Johns/Giffen weekly comics joint 52), some have failed miserably (the 52 follow-up Countdown to Final Crisis), and some have died of attrition and neglect (the seldom-remembered Action Comics Weekly, published WAY back in the 80s).



Fortunately, the powers that be at DC still hope to reignite the passion and wonder that kids and former kids used to have when seeing their favorite comics characters in print. It is that spirit of yesteryear that fuels the publication of Wednesday Comics, and the series looks to be a phenomenal success.



A throwback to simpler times in every way, DC’s Wednesday Comics is published on full-sized, 14”x20” newsprint and features weekly installments of 15 famous (and not so famous) DC characters. Each character has his/her own creative team in charge of producing one full page of story per week for the full 12 week run of the series. While this limits the amount of story that can be told each week, it broadens the horizons for the artists, who are free to create large, flashy splash pages using a variety of layout techniques. The art, in spite of the low quality paper, is spectacular and will immediately remind older readers of mornings spent poring over the exploits of such characters as Prince Valiant and Dick Tracy in the Sunday funnies.

Since this is only the first issue, it remains to be seen which of the 15 serialized stories will rise above the others, but early favorites include Neil Gaiman and Mike Allred’s Metamorpho: The Element Man strip, Paul Pope’s Strange Adventures featuring pulp hero Adam Strange, and artist extraordinaire Kyle Baker’s Hawkman.

As is fitting for any DC publication, Superman and Batman each have a dedicated page (the latter nearly stealing the show with its noir-inspired artwork courtesy of Eduardo Risso), and well-known characters such as Wonder Woman, Supergirl, the Flash, the Teen Titans and Green Lantern also have their own features.

For readers who already love comics, this series is a must-read. For those who have limited exposure to comic books, Wednesday Comics’ short-burst storytelling style is the perfect way to introduce the DC pantheon of characters. DC’s Wednesday Comics pushes comics forwards by looking backwards.


Cross-posted on PastePotPete.com

Hey! You Got Photo Documentary In My Graphic Novel!


I don't know how to explain this. There are books you read that pry open a whole world you never knew existed. I mean, you've heard of places like Afghanistan and Pakistan, you've heard of small villages lying in remote regions, you know organizations like Doctors Without Borders exist and you know what they do, and you might even know (or remember) some recent history about the Soviet invasion and war with Afghanistan in the 1980s... but somehow it doesn't all add up to a single picture of that time, or place, or experience until a book comes along and drops you into the deep end and your fully immersed.

In 1989, a young French photographer named Didier Lefèvre is asked by the organization Médecins Sans Frontières to help them document their efforts to provide medical care to Afghans living near the war front who are without doctors or resources. It's a grueling journey requiring the group to sneak across the border of Pakistan illegally, to get to the farthest outposts where medical offices can be set up and, for Lefèvre, to make his way home safely on his own. Years later he recounts his stories to his friend, the illustrator Emannuel Guibert, and together the create a trilogy of books that document the experience. Those books, bound as one, are The Photographer: Into War-Torn Afghanistan with Doctors Without Borders.

As explained in the afterword, the concept was for Guibert to illustrate the story surrounding Lefèvre's photos, turning the enterprise in an unusual, and richly rewarding, hybrid of a photo travelogue and a graphic novel. The mix of graphic elements at times can feel like an artists scrapbook - along the lines of photojournalists Peter Beard and Dan Eldon - or sometimes require several pages of illustration that calls to mind (literally at one point) Tintin comics both in landscape and style. It's like a documentary with the narrative flow of fiction.


And it's about war. And people trying to do good against all odds. People and animals die with regularity. The absurdities of human experience abound. There are moments of terror and moments of humor and moments of great beauty. It is as much about the person behind the camera as much as the people being documented in front of it and shows that, if anything, a photojournalist's life isn't as glamorous as some might believe.

I felt this way when I read Marjane Satrapi's Persepolis some years back. It wasn't that I didn't know something about Iran, it was all that I knew was through Western eyes and media. It had never occurred to me – nor could I imagine – what it would be like to grow up during the Iranian revolution of the late 70s and the overthrow of the Shaw. I had met many who had escaped Iran during that time, people uneasy with the coming reforms, and I knew their stories but not those of the ones who stayed. In The Photographer. Lefèvre and Guibert fill in some gaps about the Soviet conflict with Afghanistan in the same way, showing us what the Western (let's be fair, mainly American) world did not report. The borders were full of peasant villages, with Afghan troops on foot or with pack mule, facing Soviet helicopters and the last days of the big Soviet Cold War arsenal.

I seem to recall the American response to the Soviet invasion of Afghanistan was to boycott the Olympics.

While The Photographer. doesn't necessarily add a great deal of information about the full nature of the conflict it does manage to put human faces on a small moment in the history of a part of the world still very much in our headlines. It's the sort of book that has to potential to open young minds and make them want to learn more about Afghanistan, about photojournalism, about Doctors Without Borders, and maybe why this part of the world continues to capture our attention.

Mentioned in this review:

The Photographer: Into War-Torn Afghanistan with Doctors Without Borders
by Didier Lefèvre
illustrated by Emannuel Guibert
First Second Books 2009

Persepolis
by Marjane Satrapi
Pantheon Books 2002

The Journey Is The Destination: The Journals of Dan Eldon
edited by Kathy Eldon
Chronicle Books 1997

Zara's Tales: Perilous Escapades in Equatorial Africa
by Peter H. Beard
Alfred Knopf 2004

The Adventures of Tintin books
by Herge

Tuesday, July 7, 2009

The Book Fair for Boys is a HUGE success!!

I am thrilled to announce that to date we received 600 books for the boys in the LA County juvenile justice system. The response to the original Book Fair for Boys post has been huge - far greater than we anticipated - and will make a big difference in a lot of lives. So many books were sent to LA that InsideOut Writers is able to spread them over all three facilities where the boys are held, providing much greater access to the books. It will be easier for them to check them out, easier for them to find the books they want and easier in every possible way for them to read.

Think about that - we have made it possible for these boys to have books to read.

According to Eve, the point person at IOW, the most popular books are Harry Potter (some things just don't surprise me anymore), titles about war such as Andrew Mueller's I Wouldn't Start From Here and Jay Kopelman's From Baghdad Withe Love and books on the harsh truth of gang life such as Luis Rodriguez's Always Running. We will be running book reviews in the coming months on many of the books and I can't wait to see what the boys have to say.

For those of you who donated or spread the word, thank you so very much. Expect to hear from IOW in the near future as notes are being written to ever donor. And for future reference, we will be running a book fair in late November to again help this group of teenagers. Six hundred books is certainly a lot but for 2,500 boys it's just the tip of the iceberg. We have started to build a library and intend to continue the work.

An Apology and a Course Correction

I blame marketers. Marketers create a world, one that says that guys age 18-35 can think only about beer, explosions, expensive fast cars, and women with large boobs. And guys a bit younger (13-17) can think only about heavily caffeinated beverages,explosions, extreme sports, and, well, women with large boobs. Marketers create this reality, convincing the guys themselves and everyone around them of their particular interests, and then they treat it as if it's a reality that just occurs naturally. We don't really like it, they say, but that's just how it is.

Now, I've got nothing against any of those things. Not at all. I like caffeine as much as the next guy. I probably consume more caffeine than your average Red-Bull-addicted 15-year-old at the skate park (that's where you are, right? all the time? that's where the commercials say you are). But the reality--and I mean "real" reality, not the one invented by marketing companies--is far more complex and more subtle than that. There are, of course, many many more types of guys than are ever depicted by marketers. There are, for instance, guys who read books. If there weren't, I wouldn't be writing this right now, would I? And almost all those types of guys, but particularly the type who read books, can and do think differently about women than the marketers would have us believe.

What I want to say is I haven't given you, the GuysLitWire readers, the respect you deserve. I've imagined you too much the way they--the Madison Avenue types--have wanted me to imagine you. I've thought that guys wanted guy books and I figured guy books, particularly in fiction, included only stories about guys, stories that had guys, and never women or girls, as the main characters. So I've avoided recommending many good books that feature women or girls as the main characters, assuming, stupidly, that you wouldn't be interested. But of course you aren't Neanderthals.

I read somewhere that the reason Disney makes so many more "boy" movies than "girl" movies is that girls will go to see boy movies but boys won't go to see girl movies. "We don't like it. That's just the way it is," Disney executives say. But if you look at the girl movies that they make, it's no wonder guys aren't interested. They are nearly all about princesses. Even when the princesses are tough enough to disguise themselves as men and go into battle or ride alone into the dark woods to save dear old dad from a ten foot tall talking lion-bear hybrid thing and his army of tchotchkes, what the princesses really want is to put on a fancy dress and get married. It's not only guys who are put off by this. I'm sure there are plenty of girls who can't get into these movies either.

Fortunately, the world of literature is more varied than the world of Disney movies, and gives us many books with girls as the main characters, girls who are neither princesses nor fairies, nor, for that matter, the tormented little playthings of boy vampires. Here are some of those books, mostly fantasy and sci-fi, because that's what I know, but some non-fiction too, for good measure:

Sabriel, by Garth Nix--This is one of the coolest fantasy novels I've read in recent years. It's set in an alternative world where magic exists and is practiced, but only within a small area called the Old Kingdom. Outside of the Old Kingdom, things are pretty much as they are were here on Earth in the 1930s. All of the magic practiced in the old kingdom seems to have a bit of a dark edge to it and there are those who use magic to do the ultimate evil--raising and animating the dead. Sabriel's father's job is to guide these dead back to the land of the dead, where they belong. When her father is taken away to the land of the dead himself, Sabriel has to return from school to the Old Kingdom and take over the job without the proper training. Nix creates a strange and fully formed world with plenty of zombies, demons and ambulatory corpses, plus one seriously hard ass cat. Sabriel herself is thoughtful and cunning and tough. The novel is followed up by a two-part sequel: Lirael and Abhorsen. You can read my full review here.

His Dark Materials (The Golden Compass, The Subtle Knife, and The Amber Spyglass)by Phillip Pullman--Like Sabriel, this story is set in an alternate world, much like our own but different in important aspects. For one, people in this world have daemons, animal-like creatures which, while autonomous and separate, are linked to each person's soul. Lyra is an orphaned child who lives, with her daemon Pantalaimon, among academics at Oxford university. When she discovers who her father is and that he's experimenting with a substance called Dust which could allow him to open a gateway to another world, she finds herself in danger of being abducted by her father's enemies and escapes into a dazzlingly strange world full of witches, angels, and armored bears. A Google search will reveal how much has been written about these books. A number of organizations have recommended banning them. That should be reason enough to read them.

The Wee Free Men by Terry Pratchett--Tiffany Aching, it seems, would make a good witch, even though she comes from the Chalk, which isn't good land for growing witches. That's what a number of older and wiser witches seem to think, anyway, and they attempt to recruit her to their school. When her brother, Wendell, is abducted by an evil queen and carried off into Fairyland (which is quite a bit less pleasant than it sounds), she has no choice but to start her training early. Fortunately, she has the help of a host of tiny, badly-behaved blue men who amuse themselves by drinking heavily, stealing whatever they can, and picking fights with much larger creatures such as horses. These fellows need a lot of keeping in line, but are frightfully courageous and loyal. Tiffany is tough and as bull-headed as the Wee Free Men, but also considerate and generous. The book is one of the most hilarious I've ever read. Tiffany's story is continued in A Hat Full of Sky and Wintersmith. All of the books are part of the massive Discworld series, which will keep you reading for a long long time. From the Discworld series, I might also recommend Monstrous Regiment, about a girl who disguises herself as a man and joins the army (along with a troll, an "Igor," and a vampire) in order to find her brother who's been recruited but is far too sensitive to be a soldier. It's sort of like Mulan, only funnier and without the fancy dresses.

A Wrinkle in Time, by Madeleine L'Engle--Meg Murray has a lot of problems at school. She has braces, can't manage her hair and people think she's strange and even stupid. But that's not the worst problem. Her father has disappeared. When she's offered, by three strange women--Mrs. Whatsit, Mrs. Which, and Mrs Who--a chance to set off on a journey to rescue her father, she takes it, bringing along her little brother, Charles Wallace, and her popular but wounded friend Calvin. They travel through space, time, and multiple dimensions and are eventually forced to confront true evil. This book is a classic and as such, many schools at one point decided to make it mandatory reading. I don't know if they still do. I hope not. Even if it is required, read it as if it weren't. (Don't let them mess up your life.) A Wrinkle in Time is much better to read all on your own, without being confronted by study questions or pop quizzes. A Wrinkle in Time kicks off a series called The Wrinkle in Time Quintet.

Swimming to Antarctica, by Lynn Cox--I've dabbled in athletics all my life. I was on age group and high school swim teams, track teams, cross country teams. I even did some bike racing as a kid. As an adult I run road races and the occasional triathlon. My butt has been decisively kicked by more women than I could possibly count. Still, while I knew there were lots of women who could beat me at pretty much any sport, I did not know, until I read Swimming to Antarctica, that there had ever been a woman who dominated a sport, who was better at her sport than any man in the world. By the time she was fifteen years old, Lynn Cox was. She held numerous world records in open water swimming and channel swimming. She could swim in water so cold it would literally kill a normal human being. Swimming to Antarctica is her story. It's told with grace and humility. It shows what a beautiful sport long distance swimming can be and confronts much of the sexism that a woman athlete of her caliber was forced to face. If you are a male athlete, whether you think you're the shit or not, you should read this book and be humbled.

Monday, July 6, 2009

A moveable feast: In the Heart of the Sea


A while back, I reviewed the newly-published Ray Bradbury screenplay for the 1956 film of Moby Dick here on Guys Lit Wire. The book Moby Dick is a recurring obsession; every few years I'll re-read it (yes, including the allegedly boring bits) and plow through stacks of critical commentary. This cycle of Ahabery was spurred by an interview I did with writer/comedian Mary Jo Pehl (Mystery Science Theater 3000), in which she spoke about Melville. In searching for new material, I discovered a book about the Essex, a ship sunk by a sperm whale in 1820, and the whalers' subsequent horrific ordeal. This event inspired Melville to write Moby Dick; he even met several of the survivors.

In the Heart of the Sea: The Tragedy of the Whaleship Essex, by Nathaniel Philbrick, is based on two first-hand survivor accounts, one by first mate Owen Chase published shortly after the disaster, and one by cabin boy Thomas Nickerson, 19 at the time of the sinking. Nickerson's account did not surface until 1980, and having two distinct accounts to draw on helps Philbrick bring the characters and their struggles to vivid life.

It's not just a tale of a whale, it's a tale of a whole society, the Quaker-laced whaling fleet based on Nantucket Island. This brief, shining society, centered entirely on the deaths of whales half a world away, provided most of the oil needed to keep the world's lamps lit, and its machines greased. Philbrick doesn't apply modern morality to them, but instead shows us how their narrow world view caused the rise and fall of both the island itself, and the particular sailors from the Essex.

I won't sugarcoat it: there's cannibalism. But Philbrick does such a good job getting us into the heads of characters, their ultimate decision to eat what's available makes perfect, if ghastly, sense. He also provides context, using the results of a 1945 study on starvation at the University of Minnesota to explain the gradual physical and mental breakdowns.

This is neither a horror story, nor a "triumph of the human spirit" tale. Philbrick presents the story with a minimum of garnish, leaving the reader to draw their own conclusions. What is certain is that the fate of the Essex led directly to the composition of arguably the greatest American novel ever.

Read an interview with author Nathaniel Philbrick here.

Netflix a Discovery Channel documentary on the Essex here.

And finally, a cheery pop song about cannibalism:



Friday, July 3, 2009

The Girl with the Long Green Heart -- Lawrence Block
Hard Case Crime, #14

Joining the Hard Case Crime book club was the best $6-a-month investment I made last year. (It was also the only one I made, but I'm confident that if there'd been others, it would still be on top.) Sometimes the books are reprints with awesome new covers, sometimes they're original publications, some of them are stronger pieces of writing than others, but they've all been entertaining. They make me happy. If you enjoy the crime genre and aren't offended by the un-PC (especially in regards to how the ladies are treated), they're well worth a read.

Lately I've been exploring Lawrence Block -- I tore through the first Bernie Rhodenbarr book and one about Matthew Scudder, which gave me an inkling of his range, and, just to round things out, I brought home all four Keller books for the holiday weekend -- so, since I was in the groove, I decided to jump ahead a bit and read another of Block's Hard Case titles.


The Girl with the Long Green Heart was originally published in 1965. It's about Johnny Hayden, a retired grifter. After a miserable seven-year stint in San Quentin, he's been playing it straight -- working in a bowling alley, taking correspondence courses in hotel management and saving every penny. At the rate he's saving, in ten years, he'll have enough money to buy a local hotel. Ten years. In ten years, he'll be fifty.

So when his old associate Doug Rance shows up with a plan for a long con that'll set him up with enough cash to buy the hotel, he decides to do this one last job. It's a job that requires help on the inside. Luckily, the mark's secretary has a big reason to hate her boss... and, as it turns out, she's a natural at the grifter's game.

I really loved this one. Johnny tells his story simply and believably in a voice that has that noir accent without ever feeling like a caricature. Which is impressive. He jumps from the main story to flashback and back again so seamlessly that I kept falling into the flashbacks and forgetting that the main story even existed -- his voice made everything that vivid and real and in-the-now.

I didn't want to care about him -- long con stories so often go the same way that I generally try not to get attached -- but he was just so damn likable. His narration of the game moved along with lots of those how-to details that I love, and while, due to the conventions of the genre, I guessed at some of the twists before they came, I had no idea how Johnny would react or what the outcome would be. Surprises came fast and furious towards the end, and the ending itself left me feeling a whole lot happier than I expected it to -- it was so nice to run into a grifter without a tendency towards deep dark depression.

________________________________________________________________

Previously:

1. Grifter's Game, Lawrence Block
2. Fade to Blonde, Max Phillips
3. Top of the Heap, Erle Stanley Gardner

________________________________________________________________

(cross-posted at Bookshelves of Doom)

Thursday, July 2, 2009

Book Review- Science Fair by Dave Barry and Ridley Pearson


Science Fair by Dave Barry and Ridley Pearson
Grdankl the Strong, president of Kprshtskan, is plotting to take over the American government. His plan is to infiltrate the science fair at Hubble Middle School, located in a Maryland suburb just outside Washington. The rich kids at Hubble cheat by buying their projects every year, and Grdankl's cronies should have no problem selling them his government-corrupting software. But this year, Toby Harbinger, a regular kid with Discount Warehouse shoes, is determined to win the $5,000 prize-even if he has to go up against terrorists to do it. With the help of his best friends, Tamara and Micah, Toby takes on Assistant Principal Paul Parmit, aka "The Armpit", a laser-eyed stuffed owl, and two eBay buyers named Darth and the Wookie who seem to think that the Harrison-Ford-signed BlasTech DL-44 blaster Toby sold them is a counterfeit. What transpires is a hilarious adventure filled with mystery, suspense, and levitating frogs.

I gotta say that I'm really glad I got this as an audio book first because as you can tell from the summary, there's a couple names here that are not exactly the kind that roll off your tongue with ease. Now, I say "first" because the last disc wouldn't play on my portable CD player and I don't know why, so I ended up having to put the book itself on hold and finish it up that way. But at least by that point, I knew how to pronounce everything, having heard the actor pronouncing them the right way on the audio book. Anyway, as for the story itself, it's Dave Barry, so you know it'll be hilarious, which it was! Just from the summary alone, you know that this is not going to be an ordinary read and it's one that should prove to be interesting. Now, it's not much of a mystery as the reader knows who's behind it all from fairly early on in the book but that doesn't really matter because the book is so funny and suspenseful in many other ways. It's a compelling read that's guaranteed not to be found anywhere else. Definitely a must-read!

Wednesday, July 1, 2009

The Unlikely Disciple by Kevin Roose


Liberty University is not a party school. Founded and presided over until 2007 by Reverend Jerry Falwell, Liberty boasts a strict code of conduct limiting couples from anything more than hand holding and 3 second or less hugs, teaches young earth Creationism as part of its core curriculum, and holds church services on the college basketball court. The Unlikely Disciple is the story of Kevin Roose, sophomore at Brown University, aspiring journalist, and lapsed Quaker agnostic, and his semester undercover at Liberty to find out what separates it from other colleges and how different Liberty students were from the collegiate stereotype.

Roose's journey through bible studies, prayer groups, lust counseling, and a Spring Break tip to Daytona Beach... to witness to the students clubbing and lying on the beach is humorous and heartfelt. He grows attached to his floormates, pastors, and even a girl who is just a bit to edgy to fit in. He experiences the highs and lows of life at Liberty and lets the reader decide how to react to these students who don't dance or drink but still struggle with real college issues and the role faith plays in their lives.

Definitely an interesting book for anyone going away to school or already there, Roose's narration is frustrating at times but he remains a pretty impartial observer no matter how entrenched he gets in the Liberty lifestyle. He is also the protege of writer A.J. Jacobs, who wrote The Know-It-All which you should also definitely check out if you're wondering how reading the Encyclopedia Brittanica can be interesting.