Saturday, March 26, 2011
Christopher Rowe Interview
As I mentioned in my review of the novel Sandstorm last Thursday, author Christopher Rowe is a friend. He's also one of the most interesting guys I know when it comes to talking about books, especially fantasy and science fiction. His knowledge is deep and broad, and if you ever have a chance to go hear him read, he's fantastic. After conducting the interview, though, I realized I never knew just how much thought he as an author has put into figuring out what the books he read as a teen still mean to him and for him today.
Friday, March 25, 2011
The Secret Diary of Adrian Mole, Aged 13 ¾ by Sue Townsend

Way before I went through my own angsty teen phase, and long before I had ever even heard of a guy named Holden Caulfield, I was absolutely devoted to another teenage wonder. He is the namesake of the Secret Diary of Adrian Mole, Aged 13 ¾.
Living in lower-middle class England in the early 1980’s, Adrian is a curious guy just trying to figure out what do with his life. Adrian doesn’t want to be a punk like his friend Nigel, he doesn’t want any more spots on his face, and he definitely doesn’t want to take up drinking after hearing the disgusting noises he heard his parents make downstairs on New Years Eve. He thinks that he wants to be an intellectual, but he’s still not quite sure what that requires…possibly some poetry.
Wednesday, March 23, 2011
Adios, Nirvana by Conrad Wesselhoeft
Does it count as required reading if you assign a book to yourself? Even if it doesn't, I would still have to read Conrad Wesselhoeft's Adios, Nirvana.There's the guitar-o'-fire cover that alone would compel some of us to give it a read, and there's the main character's bond with his buddies -- his "thicks" -- that leaps right out at you from the novel's very first lines ("Hey, man, get down!" "Dude, don't be an idiot!"). But for me, there's more to it than that.
Tuesday, March 22, 2011
When you think Dark do you think Dark Beer?
I've mentioned in a prior blog entry how much I enjoy the work of Tim Powers (if Pirates of the Caribbean 4 is any good, it will be because the based some of it on his excellent On Stranger Tides). One of my favorite of his books is Drawing of the Dark... which is a terrific blend of beer and Arthurian lore and magic. Yes, I said beer
Monday, March 21, 2011
The Floating Islands by Rachel Neumeier

In The Floating Islands Trei‘s world is falling apart. His home is destroyed in a natural disaster, leaving him without a family and grieving the loss of his talented sister. After an Aunt and Uncle closer to home decides not to take him in, he leaves on a long journey to Milendri, one of The Floating Islands.
As his ship approaches the exotic lands, Trei is astonished by The Floating Islands and the dragon magic that keeps them hovering above the ocean. When he sees the kajurai glide over his ship, he desires more than anything to become one of the men who fly through the sky with wings made of feathers.
Once there, he attempts to settle in with his Uncle Serfei and Aunt Edona and cousin Araene, who acts cold towards him at the beginning. Eventually they bond, as Trei leaves for a chance to become a kajurai and Araene secretly stumbles upon a society of magicians and her own magical powers.
Loyalties are strained as Trei begins training to be a kajurai. Rumors of war between Trei’s birth place and his new home become reality and The Floating Islands are not prepared to withhold the powerful attacking navy. Araene and Trei become integral parts in whether the islands can survive.
I love fantasy books with a clear sense of place and history, with J.R.R. Tolkien being the obvious master. Neumeier creates a vivid and unique world, which I would put on a level of some of my favorites like Sharon Shinn, Kristin Cashore and Shannon Hale. At times the plot builds very slowly, but this is a good, exciting fantasy.
Fans of book like Incarceron by Catherine Fisher and Monster Blood Tattoo by D.M. Cornish will enjoy The Floating Islands.
Friday, March 18, 2011
Annexed by Sharon Dogar
Sharon Dogar's novel, Annexed, presents the story within Anne Frank's famous diary through a new, imagined perspective. Peter van Pels was the teenage boy who shared the Annex with the Franks and his parents. In this novel, Dogar tells the story of their struggle for survival through Peter's eyes. This dramatic shift in point of view has the potential to influence readers' perception of Anne's story, and that fact is part of why there has been some controversy around the release of this book. You should take a few minutes now or later to read some of the opinions (1, 2), and then Dogar's response. I hadn't been aware of the discussion prior to reading the book.I read Anne's diary at least three times when I was young, beginning when I was twelve or so. It's been a long time since I reread it. Dogar's book made me want to do that, and I hope that this response is shared by other readers. I think I need to reread the diary in order to say definitively how I feel about Annexed. I don't think that the characters - particularly Anne - come off with the same complexity as I remember in the diary, though the tone of the book often felt very much in line with the original work - tense, at times hopeful, full of frustration and barely suppressed fear.
Thursday, March 17, 2011
Sandstorm by Christopher Rowe
Rowe is a Hugo, Nebula, and Theodore Sturgeon Award finalist who has written several fantastic short stories of speculative fiction. He’s also a good friend, so when he told me his first novel was going to be a Dungeons & Dragons book, I thought, “huh. Well, at least he’s got a book coming out.”
I haven’t read a D&D novel since before the original Dragonlance books. I’ve always heard good things about those in particular, but my experience with stories based on role-playing, or even based on other kinds of properties (the Star Wars movies, or the Legend of the Five Rings CCG, or even comic books), has been rocky to say the least. It seemed that the very way in which RPGs free your imagination to create any kind of story you might want to tell somehow constrained fiction, limited it and made it feel flat and small.
Questions like this occupied my mind as I picked up Sandstorm, Christopher’s book. In the initial pages, I found myself asking whether or not characters or actions worked “in-game” or not. What might be a character’s stats? How might a fight work in terms of attack dice and hit points and initiative?
Without realizing, though, those kinds of questions and thoughts quickly faded. Instead, I asked questions like, “what’s going to happen next?” and, “how will the hero, Cephas, get out of this situation?” and, “what does the mysterious Corvus Nightfeather, a crow-headed assassin, want with Cephas?” In short, all the things you ask about a compelling, character-driven fantasy adventure.
I haven’t read a D&D novel since before the original Dragonlance books. I’ve always heard good things about those in particular, but my experience with stories based on role-playing, or even based on other kinds of properties (the Star Wars movies, or the Legend of the Five Rings CCG, or even comic books), has been rocky to say the least. It seemed that the very way in which RPGs free your imagination to create any kind of story you might want to tell somehow constrained fiction, limited it and made it feel flat and small.
Questions like this occupied my mind as I picked up Sandstorm, Christopher’s book. In the initial pages, I found myself asking whether or not characters or actions worked “in-game” or not. What might be a character’s stats? How might a fight work in terms of attack dice and hit points and initiative?
Without realizing, though, those kinds of questions and thoughts quickly faded. Instead, I asked questions like, “what’s going to happen next?” and, “how will the hero, Cephas, get out of this situation?” and, “what does the mysterious Corvus Nightfeather, a crow-headed assassin, want with Cephas?” In short, all the things you ask about a compelling, character-driven fantasy adventure.
Wednesday, March 16, 2011
All Over but the Shoutin' by Rick Bragg
Writing about the modern South is hard. Lazy authors slip into one of two extreme caricatures. Either they get caught up in the romanticism of white-columned porches and the Kentucky Derby, or they take cheap shots at the tacky poverty of trailer parks and BBQ pork rinds.In his memoir, All Over but the Shoutin’, journalist Rick Bragg traces his path through the best and worst aspects of the South. The son of an Alabama cotton picker, Bragg climbed up a pile of journalism awards to the New York Times, then returned home as the newspaper’s Southeastern corespondent. Along the way, Bragg witnessed extreme poverty but also the stubborn pride and deep faith that come with it. He discusses racism--even sharing vague memories of a George Wallace rally--but Bragg never lets slurs become the full measure of the people they’re screamed at or the people screaming them.
Tuesday, March 15, 2011
GB Tran's "Vietnamerica"

Arist/writer GB Tran is the first American-born son of a couple who fled Vietnam during the fall of Saigon. Though "fall" is a multi-layered word in this context, connoting loss (from an American perspective), and that mid-70s moment that represented the first time Vietnam had been united under its own rule, after battling the French, Japanese and Americans (of the recent conquerors -- there were the Chinese before that).
That their first "unified" government turned out to be as radically imperfect as the ones it replaced, is all too typical of history, and here, we see the stunning nexus of family, national, and global histories, the last two constantly affecting the first.
In Vietnamerica, Tran gives his account of growing into adulthood, an American future as a videogame-playing graphic artist ahead of him, while finally becoming curious about what his own family's role in those previous events (and the role of events in his family) actually was. And curious, too, how it came to be that he was the first native-born American among his half-sisters and secret-wielding parents. Like a peeled onion, much of the structure in this graphic novel is curled and a bit scattered, and with the cross-cutting and time-shifting -- between his father's and mother's families -- you're not always sure whose story you're following. But by the last act, with a shattering, unresolvable reveal about his paternal grandfather, and a series of splash panels leading up to his parents' nose-hair escape, you're riveted.
As a side note, Vietnamerica shares a title with an earlier prose book, about the "homecoming" of Vietnamese kids fathered by U.S. serviceman, who, abandoned in Vietnam, were airlifted back here some decade-plus later.
This isn't that, but Tran-- who, I'm given to understand, was discovered by his publisher at artists' alley at the San Diego Con -- tells of homecomings here too, in the sense of people reconciling themselves to who and and where it is they come from, and just as importantly, where they find themselves at now. Here it's a multi-generational task, not just a young person's. Or as he notes, "a family's journey."
A journey where "home" is often the hardest thing to find. But this is fine take-along reading for your rucksack, when you're on similar travels of your own. Or sitting exactly where you're at, right now.
Monday, March 14, 2011
Burton & Swinburne Adventures #1 by Mark Hodder
After finishing up my January column, I had a couple more alternate history titles drop in my lap, and after I read the description of Mark Hodder’s The Strange Affair of Spring Heeled Jack, it took about two seconds for me to dive right in: “Sir Richard Francis Burton, an explorer, a linguist, a scholar, and a swordsman. His reputation tarnished; his career in tatters; his former partner missing and probably dead.” Richard Burton? Seriously? Really? Burton was one of the greatest explorers in British history (and they have a lot of explorers to choose from). He was brilliant and fearless and sexy, and right up until he settled into a life of domesticity and, well, dullness, he lived larger than most of us can imagine. It’s not so much that his later years were bad ones, just that they weren’t as exciting as his earlier ones, and when you read about him you have to wonder, what if. Mark Hodder clearly wondered the same thing, and he dropped Burton into an alternate history title that doesn’t just assume times have changed, but makes that change a plot point that is the tip of a mystery of epic proportions.What you have is a creature right out of B-movie science fiction who appears in the streets and countryside of Victorian England to grope young women and leave them shocked and/or permanently damaged. The creature gets into an altercation with Burton, making several statements that suggest they know each other, and then vanishes, leaving the explorer alarmed and shaken. He barely has time to register what has happened before he is summoned by the Prime Minister and offered a job working unusual cases that fall outside traditional police work. It seems a pack of wolfmen (not what you think) are attacking people in the poorer sections of the London. Burton sets out to investigate and soon enough, as we know it will, all hell breaks loose.
It doesn’t take long for the reader to grasp some serious differences in Hodder’s London. Most noticeably, this is not Victorian London, as Victoria herself is dead, the victim of an assassin’s bullet in 1840 (in real life the assassin was unsuccessful). In the years that followed, there has been some minor political upheaval and a ton of technological and religious upheaval. As Booklist noted in its review, Hodder includes “steam-driven velocipedes, rotorchairs, verbally abusive messenger parrots, a pneumatic rail system, and robotic street cleaners.” Throw in the Libertines, Darwin, poet Algernon Charles Swinburne, inventor Isambard Kingdom Brunel, some engineered messenger dogs, and a ton of other intriguing characters real and imagined (Oscar Wilde, newspaper boy!) and the history and action converge in an enormously compelling way. But the heart of the story remains the question of Spring Heeled Jack, and what he is hunting for. As Burton gets ever closer to answers, readers will find themselves surprised in numerous ways -- all of which come together in a fantastic ending that promises more adventure in the future. (The Curious Case of the Clockwork Man is due out at the end of the month.) I loved the thrills and chills, and my inner historian geeked out all over to see Burton and Swinburne together (Hodder hews quite closely to Burton’s biography, here which raises the novel’s impact several notches), but it’s the way the mystery comes together that kept me turning the pages. Start this one only if you have some time on your hands; it won’t be easy to put it down.
Crossposted at Bookslut - more on Clockwork Man here.
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